His name is Luka
Luka Bloom performed for GLAS at the Collège des Coudriers in Geneva last Saturday and I had the honour of being his opening act. To sing my own songs for a crowd of around 250 – including many, many friends – while a musician of Luka Bloom’s stature waited in the wings was an exhilarating experience. My set went well, in spite of nerves and the fact that I was almost overcome with emotion on a few occasions.
And then it was all over and Luka himself came out to deliver a masterclass in storytelling and song.
In the minute or so we spent together in the wings between my set and his, he congratulated me warmly. He told me my voice reminded him of Neil Finn, which to me was high praise indeed. He repeated the same compliment when he went on stage and – at least according to George Leitenberger, who kindly took the photo below – called me “an incredibly talented young man”. Whatever about my talent, I think he was stretching things a bit with “young”, but I’ll take it nevertheless!
I had put the idea of being his support act to my friend Denis McClean, the brains behind GLAS, back in February; he in turn passed the request on to Luka, who, happily, said yes. And so, just like that, I was preparing for one of the most important performances of my musical life.
I put a lot of thought into the set. I’ve been writing songs for more than 15 years now and although I’m not very prolific these days, I have a bunch to choose from. Naturally I wanted to play what I felt were some of my best songs, but also to have a set that would hang together well.
I opened with Half-Hearted Love Affair, a quiet and bittersweet song that I hoped would draw the listeners in from the start. Then it was on to Have No Regrets, a more upbeat song that always gets a good response. I followed that with the two songs I’ve written for my sons, Declan’s My Silver Son and Robert’s First In My Eyes. (The boys were in the audience, which made it extra-special for me. I got the crowd to sing Happy Birthday to Declan ahead of his 3rd birthday the following day.) I rounded the set off with an “old reliable”, the Crowded House-ish I’ll Be Around.
Luka Bloom’s older brother Christy Moore was a musical hero of mine when I was growing up. (Indeed, my university thesis was about him.) But Luka himself was also an influence. My cover of his brilliant song You Couldn’t Have Come At A Better Time helped me to get gigs in Paris back in 2002, and of course City of Chicago has been a part of my repertoire since the beginning.
From the moment I walked into the venue on Saturday afternoon, when he greeted me with an enquiry about whether we shared a mutual friend (we did!), Luka Bloom made me feel very welcome. It was a privilege to spend an afternoon in his company, watching him soundcheck and chatting with him about this and that. He is a brilliant guitarist and a fine singer, whether of his own songs or of covers. His Swiss tour managers, Katha and Martina, and sound engineer Reto, were also most welcoming.
Thank you Denis; thank you Luka.
Luka Bloom, Denis McClean and me. (Photo by Lars Solberg)