Lynched – Eglise Catholique de Bernex – 12.02.2016

Three gigs in just over a week: I’m a lucky man! Having seen The Tallest Man on Earth in the city centre the night before, last night’s Lynched concert involved a trek out to the commune of Bernex where the local Catholic church was the venue. (Antigel makes a virtue of using unusual venues throughout the canton of Geneva – it’s a really great idea.)

This was another sell-out gig, making it clear that the interest in traditional Irish music is as strong as ever. I did recognise a few fellow Irish ex-pats (ex-Paddys?!) in the audience, but I had the feeling it was mostly Francophone.

I hadn’t heard of Lynched before my friend Chantal pointed them out in the festival programme. They’ve seemingly been making waves in trad circles in the last few years and I can see why. They turned in two really entertaining sets of ballads, folks songs and tunes, with a really nice flow to the evening overall. From rousing singalongs (Salonika, Daffodil Mulligan, Billy O’Shea) to more mellow ballads, and a smattering of jigs and reels, there was enough variety to hold everyone’s interest until the end.

When all four of them sang in harmony it really raised the roof; but probably the highlight for me was when Radie Peat (the only female member of the foursome) sang her spine-tingling unaccompanied version of Dig My Grave (if that’s the title of the song), about a father who finds his daughter hanging from a rope in her bedroom. A bit grim, but a haunting song. She has a great voice that repeatedly helped their songs to soar when she came in on a harmony.

Lynched in Bernex, February 2016

The church was a pretty good venue. A little chilly, and apparently the sound wasn’t as good as it could have been for those sitting further back. But it was certainly atmospheric. Some of the song lyrics might have raised the eyebrows of the parishioners had they fully understood them, but the band were mostly on their best behaviour in the house of the God.

(I should also mention the clapping. There were a number of people in the crowd who were determined to attempt to clap along with every song that was even moderately upbeat, and even some of the slower ones. I don’t know whether they thought this what one does with Irish folk music or were just very excited, but, whatever the reason, it was excruciating. They were out of time with the music most of the time, sometimes dramatically so. It must have been really annoying for the musicians, but they didn’t say anything about it. Perhaps they should have.)

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